past / 2015
Yuta Hayakawa / Daisuke Ishii / Motomasa Suzuki / Keizo Tawa "sculptures"
早川祐太/石井太介/鈴木素真/多和圭三
November 28 - December 26, 2015
past / 2015
Yuta Hayakawa / Daisuke Ishii / Motomasa Suzuki / Keizo Tawa "sculptures"
早川祐太/石井太介/鈴木素真/多和圭三
November 28 - December 26, 2015
past / 2015
Yuta Hayakawa / Daisuke Ishii / Motomasa Suzuki / Keizo Tawa "sculptures"
早川祐太/石井太介/鈴木素真/多和圭三
November 28 - December 26, 2015
Paris Internationale 2019
16 Rue Alfred de Vigny
75008 Paris
October 16 (wed) - 20 (sun), 2019
Preview: October 15, 2019
Paris Internationale 2019
16 Rue Alfred de Vigny
75008 Paris
October 16 (wed) - 20 (sun), 2019
Preview: October 15, 2019
CURRENT
Gallery Show
常設展
June 20 (Thu) - July 11 (sun), 2019
CURRENT
Gallery Show
常設展
June 20 (Thu) - July 11 (sun), 2019
CURRENT
Gallery Show
常設展
June 20 (Thu) - July 11 (sun), 2019
(English follows Japanese)
HAGIWARA PROJECTSでは、1月11日（土）より野島良太の個展「Sheltie」を開催いたします。
野島は、日常の出来事や感性に触れる体験を、ドローイングに日々描きとめています。その中で生まれる記憶や感覚の断片は、絵画の中で形となり表現されます。
制作において野島は明確なゴールを設定せず、ドローイングのような自由な感覚を保ちながら進めています。自身の記憶や感覚と向き合い、画面との対話を通じて選び取られる線や色、形、さらには消された跡までもが、作品に独自の奥行きと豊かさを与えています。そのプロセスを想像しながら作品を鑑賞する楽しさも、野島の絵画の大きな魅力のひとつです。
野島の絵画は、「何が描かれているか」という問いに縛られることなく、特定のテーマやメッセージから自由な解放感を感じさせます。観る者に自由な解釈を委ねる余白を持つこれらの作品は、その開放的な佇まいが観る者に爽やかな印象と自由な心の広がりを与えます。
作家略歴
1987年東京都生まれ、2012年武蔵野美術大学 造形学部油絵学科油絵専攻 卒業。主な展覧会に、「Knuckleball」Gallery Chosun (2023、ソウル)、「JUNE ART FAIR」(2023、スイス)、「文化の日、保留の絵」HAGIWARA PROJECTS (2022、東京)、「Paris Internationale」(2022、フランス)、「飄」 OGUMAG＋ (2022、東京）、「Shared kitchen」富士見台トンネル (2021、東京）、 「○○ life」SET project Space Lewisham (2021、ロンドン）、「Invisible Strings in Spring」 Devening Projects (2018、シカゴ）、「TWS-emerging-絵くんと絵さんが絵しても絵はできない」TWS渋谷(2015、東京）など。
HAGIWARA PROJECTS is pleased to announce Ryota Nojima’s solo exhibition, Sheltie, opening on Saturday, January 11.
Nojima captures the subtle experiences and sensations of everyday life through his daily drawing practice. The fragments of memories and feelings that emerge from these sketches evolve into forms expressed on his canvases.
In his creative process, Nojima intentionally avoids setting a fixed goal, allowing his work to unfold with the same sense of freedom found in drawing. Through a thoughtful dialogue with the canvas, he selects lines, colors, shapes, and even erased traces, all of which contribute to the distinctive depth and richness of his paintings. The process of imagining this act of creation offers viewers an additional layer of enjoyment and engagement.
Nojima's works transcend the constraints of specific themes or messages, instead inviting viewers to experience a sense of liberation. With their open-ended nature and room for interpretation, his paintings possess a refreshing openness that resonates with a broad audience, inspiring a pure and expansive experience of painting.
Born in Tokyo in 1987, Ryota Nojima graduated in 2012 with a degree in oil painting from the Department of Painting at Musashino Art University. His major exhibitions include: Knuckleball, Gallery Chosun (2023, Seoul)(solo), JUNE ART FAIR (2023, Switzerland) (solo), Culture Day, Pending Paintings, HAGIWARA PROJECTS (2022, Tokyo) (solo), Paris Internationale (2022, France), 飄 (Hyo), OGUMAG＋ (2022, Tokyo), Shared Kitchen, Fujimidai Tunnel (2021, Tokyo) (solo), ○○ life, SET Project Space Lewisham (2021, London), Invisible Strings in Spring, Devening Projects (2018, Chicago), TWS-emerging – E-kun and E-san Make Art, But It’s Not Art, TWS Shibuya (2015, Tokyo) (solo).